Table of Contents

Access

Open for research

Related Papers

Other materials associated with Samuel Beckett may be found in the following collections at the Ransom Center: Samuel Beckett/Lake Collection, Nancy Cunard, Ronald Frederick Henry Duncan, John Fletcher/Samuel Beckett /Lake Collection, Joseph Maunsell Hone, Mary Hutchinson, A.J. Leventhal, , and George Reavey.

Biographical Sketch

Samuel Barclay Beckett was born April 13, 1906, at his family's home in Foxrock, south of Dublin. He was educated at Miss Ida Elsner's Academy in Stillorgan, the Earlsfort House School in Dublin, and the Portora Royal School in Enniskillen, Northern Ireland (1919-23). He began his law studies at Trinity College in order to become an accountant in his family's architectural surveyance firm, but in his third year he started studying modern languages, particularly French. His studies improved so markedly that he won a scholarship to pass the summer in France before his senior year, and he graduated first in his class in modern languages in 1927.

Following his graduation, Beckett taught at Campbell College in Belfast (1927-1928) and the École Normale Supérieure in Paris (1928-1930). During his stay in Paris, he established relationships with many important literary figures of his day, including Thomas MacGreevy, Richard Aldington, Brian Coffey, Denis Devlin, George Reavey, Samuel Putnam, Nancy Cunard, Sylvia Beach, and, most significantly for Beckett, James Joyce.

Beckett's early writings such as Whoroscope (1930), Proust (1931), More Pricks than Kicks (1934), Echo's Bones and Other Precipitates (1935), and Murphy (1938) won him neither fame nor money. Despite his love for Paris and his periodic stays in Germany, France, and London, Beckett's financial straits repeatedly constrained him to return to live with his disapproving family in Dublin, where he became subject to mental breakdowns and frequent, severe bouts of depression.

Throughout the 1930s and early 1940s, Beckett worked as a reviewer and translator for various magazines and projects, including Nancy Cunard's Negro Anthology (1934). He became increasingly interested in modern drama as he observed productions of the Dramiks, a Dublin troupe, and contemplated writing his own plays. In October 1940, he became a member of the French Resistance, and he and Suzanne Deschevaux-Dumesnil (who he married in 1961) were forced to flee to unoccupied France in August 1942. The French rewarded his courage in 1945 with the Croix de Guerre and the Médaille de la Résistance.

During the late 1940s, Beckett began to write many of his works in French, including Molloy (1951), Malone meurt (1951), and the play that finally won him international fame, En attendant Godot (1952). Other works that helped to establish Beckett's reputation include L'Innomable (1953), Watt (1953), Fin de partie (1957), and Krapp's Last Tape (1960). After 1960, Beckett's works became increasingly brief, but he remained prolific until his death on December 22, 1989. Beckett was awarded the Nobel Prize in 1969.

Sources

For further information on the life and writings of Samuel Beckett, see:

Andonian, Cathleen Culotta. Samuel Beckett, A Reference Guide. Boston: G.K. Hall, 1989.

Bair, Deirdre. "Samuel Beckett. " Dictionary of Literary Biography. Detroit: Gale Research Company, 1982. 13.1: 52-70 and 15.1: 13-32.

Bair, Deirdre. Samuel Beckett: A Biography. New York: Harcourt Brace Jovanovich, 1978.

Knowlson, James. Damned to Fame: The Life of Samuel Beckett. New York: Simon and Schuster, 1996.

Scope and Content Note

Holograph and typescript works make up the bulk of the Samuel Beckett Collection, 1930-1990, supplemented by his correspondence. The collection is organized into three series, arranged alphabetically and chronologically where possible: Series I. Works, 1930-1987 (7 boxes); Series II. Correspondence, 1935-1989 (1.5 boxes); and Series III. Works and Correspondence by other Authors, 1959-1990 (1.5 boxes). This collection was previously accessible through a card catalog, but has been re-cataloged as part of a retrospective conversion project. The Works Series contains a wide range of Beckett's writing, including poems, stories, and plays, spanning most of his writing career. Drafts of both the French En attendant Godot and English Waiting for Godot are present, as are versions of All That Fall, Comment c'est, Krapp's Last Tapes,and Watt. A holograph version of Whoroscope is also present. The Correspondence Series is divided into Outgoing Correspondence and Incoming Correspondence. Outgoing Correspondence includes letters from Beckett to friends and associates, including Kay Boyle, Andreas Brown, Aidan Higgins, Mary Manning Howe, John Kobler, and others. The few pieces of Incoming Correspondence include letters from Boyle, Brown, John Calder, Ltd., and Kobler. All correspondents are listed in the Index of Correspondents at the end of this guide. The Works and Correspondence by other Authors Series is divided between works and letters. The works include holograph and typescript drafts of A Poem for Samuel Beckett, by Kay Boyle, a thesis by Magessa O'Reilly, lists of holding by other institutions with Beckett collections, publication announcements, and essays and interviews by various Beckett scholars. The correspondence and all of the literary works in this series are listed in the Index of Correspondence and Index of Works by other Authors found at the end of this finding aid. Elsewhere in the Ransom Center are 10 Vertical Files containing newspaper clippings with biographical information and literary criticism in addition to published works by Beckett.

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Index Terms

Correspondents

Boyle, Kay, 1902-1992.

Brown, Andreas.

Higgins Aidan, 1927-

Howe, Mary Manning.

John Calder, Ltd.

Kobler, John.

Subjects

Authors, Irish--20th century.

Playwright, Irish.

Document Types

Galley proofs.